Volunteer your Heart out!

I have noticed recently, an alarming trend on artist work pages.

These pages are search sites that post arts jobs for designers, musicians, actors and arts administrators, in addition to many other varied jobs. I and many other artists browse these sites to pick up contract work in our off time, or look for a part time position that enables us to work on our craft while still paying our bills.

In Toronto there is not enough work to go around if you are an artist, particularly if you are a performance artist. In the last year, since the global meltdown, work has been even harder to come by. There are thousands of artists that cannot survive now, that had been barely surviving two years ago. Every artists that lives by their trade alone is constantly juggling many jobs at once while looking for more.

Back to the alarming trend...of volunteerism. On sites like workinculture.ca, every day companies are posting “jobs” for volunteers to fill positions that should go paid. These companies are proudly broadcasting, "Do art work for free!"

Some of these postings are for singers, designers, curators, and team leaders. And, to add insult to injury, the companies are asking for your resume, so that they can browse your work history in order for you to volunteer.

Times are very tough in traditional job fields with cutbacks and layoffs and job sustaining programs, but times are downright abject if you are an artist. More than ever we need companies to pay for the services that we provide, not only to keep economic transfer happening, but also to affirm that the work artists do is valuable and necessary for our community experience. This type of internship needs to stop. There are legitimate ways to make an internship work but to replace a paid worker for a volunteer for the same job does not qualify as legitimate.


If you've found yourself in this position, here are some ways to start a reversal:

1. Pay for a service that your company requires.
2. Don’t suggest to an artist that playing for free is a good opportunity for us to get exposure. We get exposure by playing on youtube and one hundred other ways.
3. Be creative about using art, performance, design, writing, etc. in unconventional ways.
4. Figure out how to get the community involved to help pay for something if your company can’t finance the entire venture/concert/design project. Get a sponsor, ask people to pay for portions of work, it’s similar to the idea of a patron.

Talk to artists, we generally want to be involved in making something happen. We can be flexible and sometimes have ideas of how to make integration happen between business and art.

Let’s work it out!